Christian A - THEVELTRO
@theveltro.com
Creative development. The Bridge Between Your Story and the Screen.
I put finished scripts in front of people who can move on them. Most scripts that get passed on were never read, they went to companies that couldn't receive them.
[email protected]
I put finished scripts in front of people who can move on them. Most scripts that get passed on were never read, they went to companies that couldn't receive them.
[email protected]
Pinned
Thirty-eight companies were in range for one animated pilot. Four could actually read it.
The rest were representation-only, legally barred from unsolicited material, or had slates full two years out.
The script was never the problem. The list was.
[email protected]
The rest were representation-only, legally barred from unsolicited material, or had slates full two years out.
The script was never the problem. The list was.
[email protected]
The note I give most often:
Your first ten pages are establishing the world. Your reader is deciding whether to keep going.
Two different jobs. The second one wins.
Your first ten pages are establishing the world. Your reader is deciding whether to keep going.
Two different jobs. The second one wins.
September 16, 2026 at 8:00 PM
The note I give most often:
Your first ten pages are establishing the world. Your reader is deciding whether to keep going.
Two different jobs. The second one wins.
Your first ten pages are establishing the world. Your reader is deciding whether to keep going.
Two different jobs. The second one wins.
Reposted by Christian A - THEVELTRO
To weed out AI-generated pitches, this company resorted to pitches by phone only.
"Using AI to produce a script will get you nowhere. We’re going to talk. After all, ringing up a stranger and improvising as the conversation unfolds is a core reporting skill."
thefoodsection.com/ring-of-truth/
"Using AI to produce a script will get you nowhere. We’re going to talk. After all, ringing up a stranger and improvising as the conversation unfolds is a core reporting skill."
thefoodsection.com/ring-of-truth/
Ring of truth - The Food Section
Got a story pitch? Call us.
thefoodsection.com
September 14, 2026 at 1:40 PM
To weed out AI-generated pitches, this company resorted to pitches by phone only.
"Using AI to produce a script will get you nowhere. We’re going to talk. After all, ringing up a stranger and improvising as the conversation unfolds is a core reporting skill."
thefoodsection.com/ring-of-truth/
"Using AI to produce a script will get you nowhere. We’re going to talk. After all, ringing up a stranger and improvising as the conversation unfolds is a core reporting skill."
thefoodsection.com/ring-of-truth/
Reposted by Christian A - THEVELTRO
Looking for a handy list of UK Comedy Writers on Bluesky?
As they used to say on Blue Peter "Here's one I made earlier".
📺 🎬 📻 🎤 📰 #WriterSky #Scriptwriters
go.bsky.app/Vhz63Af
As they used to say on Blue Peter "Here's one I made earlier".
📺 🎬 📻 🎤 📰 #WriterSky #Scriptwriters
go.bsky.app/Vhz63Af
December 3, 2024 at 12:42 PM
Looking for a handy list of UK Comedy Writers on Bluesky?
As they used to say on Blue Peter "Here's one I made earlier".
📺 🎬 📻 🎤 📰 #WriterSky #Scriptwriters
go.bsky.app/Vhz63Af
As they used to say on Blue Peter "Here's one I made earlier".
📺 🎬 📻 🎤 📰 #WriterSky #Scriptwriters
go.bsky.app/Vhz63Af
Budget is a genre.
A producer reading your logline is already estimating a number, and that number decides which pile it lands in before they reach page one.
Most writers have never priced their own script.
A producer reading your logline is already estimating a number, and that number decides which pile it lands in before they reach page one.
Most writers have never priced their own script.
September 15, 2026 at 8:01 PM
Budget is a genre.
A producer reading your logline is already estimating a number, and that number decides which pile it lands in before they reach page one.
Most writers have never priced their own script.
A producer reading your logline is already estimating a number, and that number decides which pile it lands in before they reach page one.
Most writers have never priced their own script.
Adult animation and family animation are not the same market.
Same medium. Different buyers, different budget tiers, different appetite for risk.
A $30M family feature and an eight-episode adult series go to almost entirely separate lists.
Same medium. Different buyers, different budget tiers, different appetite for risk.
A $30M family feature and an eight-episode adult series go to almost entirely separate lists.
September 14, 2026 at 8:00 PM
Adult animation and family animation are not the same market.
Same medium. Different buyers, different budget tiers, different appetite for risk.
A $30M family feature and an eight-episode adult series go to almost entirely separate lists.
Same medium. Different buyers, different budget tiers, different appetite for risk.
A $30M family feature and an eight-episode adult series go to almost entirely separate lists.
Thirty-eight companies were in range for one animated pilot. Four could actually read it.
The rest were representation-only, legally barred from unsolicited material, or had slates full two years out.
The script was never the problem. The list was.
[email protected]
The rest were representation-only, legally barred from unsolicited material, or had slates full two years out.
The script was never the problem. The list was.
[email protected]
September 13, 2026 at 8:18 PM
Thirty-eight companies were in range for one animated pilot. Four could actually read it.
The rest were representation-only, legally barred from unsolicited material, or had slates full two years out.
The script was never the problem. The list was.
[email protected]
The rest were representation-only, legally barred from unsolicited material, or had slates full two years out.
The script was never the problem. The list was.
[email protected]