ペンタブレットメーカーのugeeが12インチAndroidタブレット「ArtPlay Pad」を発売しました。高品質なアンチグレア液晶を搭載し、16,384段階筆圧ペンや「手のひら拒否スイッチ」を備えた本格的なお絵描きタブレットです。

ugee（本社：香港）は2026年9月30日、Android 14搭載の12インチ液晶ペンタブレット「ArtPlay Pad」を発表した。市場想定売価は税込72,999円のところ、現在はクーポンの適用により税込65,699円で購入できる。

ugee（本社：香港）は2026年9月30日、Android 14搭載の12インチ液晶ペンタブレット「ArtPlay Pad」を発表した。市場想定売価は税込72,999円のところ、現在はクーポンの適用により税込65,699円で購入できる。

エルミタージュ秋葉原

YouTube video by RichCale

Bloodstained: The Scarlet Engagement ha vuelto a dejarse ver durante el Xbox Showcase celebrado con motivo del Tokyo Game Show. 505 Games y ArtPlay han publicado un nuevo tráiler gameplay que ofrece…

There’s a particular kind of silence that falls over a Discord voice channel when a trailer starts and nobody recognises the music yet. **Bloodstained: The Scarlet Engagement** got one of those moments on **17 September 2026** , when publisher **505 Games** and developer **ArtPlay** dropped an all-new gameplay trailer during the Xbox Showcase at Tokyo Game Show. For a Singapore reader, here is the short version before anything else: **PlayStation 5, Xbox Series X|S and PC, some time in 2027, and there is no S$ price yet** , Japanese trade listings still record the price as undecided. Nothing to pre-order on PlayStation Store Singapore, the Microsoft Store or Steam, and no local retail box to queue for at Plaza Singapura or Funan. The trailer is the entire thing you can actually consume today, and you can watch it on 505 Games‘ own channels. This is the prequel to _Bloodstained: Ritual of the Night_ , the 2019 game that started life as a Kickstarter plea and ended up as the closest thing anyone has made to a new _Castlevania: Symphony of the Night_. Seven years later, the follow-up has a slot anchoring a platform holder’s Asian broadcast, 505 Games and ArtPlay clearly treat that as a promotion, and it tells you where this series now sits. ## What the Trailer Actually Shows The footage runs through new characters, several different environments, a spread of enemies, and a handful of mechanics nobody had seen before. 505 Games describes it as the most extensive look at the game so far, and the framing is gameplay rather than a pre-rendered cinematic, which matters when a 2027 window is the only date on offer. The setup: a floating castle hangs over **16th century England** , controlled by a sinister figure called **Elias** , and his demonic forces are busy terrorising everyone below. Two new heroes, **Leonard** and **Alex** , are the ones sent to bring it down. The game keeps the series’ 2.5D gothic presentation, and pushes harder on strategic combat, crafting, and exploration across what the release calls a sprawling, cursed land. https://www.youtube.com/watch?v=ZcjkpCaUbn4 Two protagonists instead of one is the change worth watching. _Ritual of the Night_ was structurally orthodox: a single character, one castle, gear and shard builds layered on top. A dual-lead design changes how a map is built, how backtracking works, and what an ability gate can even mean. That’s the detail worth theorising about, far more than the floating castle. ## From Kickstarter Pitch to Xbox Stage The distance travelled here is genuinely funny. _Ritual of the Night_ was crowdfunded in May 2015, pulling roughly **US$5.5 million** from backers who wanted **Koji Igarashi** to make the game Konami no longer would. Igarashi produced _Symphony of the Night_ in 1997 and then shaped the handheld run that followed it, from _Aria of Sorrow_ to _Order of Ecclesia_ , before leaving Konami in 2014. That first game shipped in June 2019 after real delays, and the Switch version arrived late and rough enough that its reputation never fully recovered. The PC version came out the other side in far better shape: a Metascore of **83** , and a Steam rating sitting at **Very Positive** , with 94% of roughly 40,200 reviews positive. Read enough of those reviews and the same verdict repeats, a loving tribute with some clumsy execution. Combat in the new footage leans on the same shard-fuelled chaos that made Ritual of the Night a Metroidvania favourite _The Scarlet Engagement_ is the version of that project with a budget and a slot on a platform holder’s stream. Xbox’s Tokyo broadcasts have a way of turning a reveal into a week of clips, the same way the Xbox Games Showcase in 2025 spent two hours setting the agenda for a season of gaming discourse. A trailer that lands in that slot gets pulled apart frame by frame within the hour, and for anyone here who stayed up for the stream rather than waking to the clips, this was the segment worth the lost sleep. ## What Singapore Players Can Confirm Today Here is the honest state of play, and it’s shorter than anyone would like. The game is confirmed for **PlayStation 5** , **Xbox Series X|S** , and **PC** , with a release window of **2027** and no specific date attached. **Where things stand, at a glance:** * **Price in S$:** none. Japanese trade listings record the price as undecided. * **Age rating:** still under review, so no IMDA-equivalent classification to check yet. * **Editions:** no tiers announced, no standard or deluxe split. * **Pre-order:** nothing to pre-order, and no pre-order bonus announced. * **Demo:** none announced. * **Nintendo platforms:** not announced. * **What to do now:** watch the trailer via 505 Games, and wait. So if a reader in Singapore or the US is waiting for something to click, there isn’t one yet. What there is, in practical terms, is a 2027 window, three platforms, and IGA’s name on the direction. Everything else is a 2027 conversation. Flooded ruins in teal light, the kind of screen that explains why people keep calling this series gothic ## Why This Reveal Matters Now Gothic action games are having a genuine run, and _The Scarlet Engagement_ is arriving into a crowd rather than an empty room. That’s the pressure IGA is walking into, and it’s also the argument for the dual-protagonist system, the expanded crafting, and the larger map. A 2019-shaped Metroidvania released in 2027 would get politely reviewed and forgotten, and everyone involved appears to know it. The thing to keep an eye on between now and launch is whether ArtPlay shows those systems in motion rather than in trailer cuts. Two heroes is a headline; two heroes with a reason to swap mid-fight is a game. The next showcase is where that gets answered. 🗓️ **Trailer revealed:** 17 September 2026, during the Xbox Broadcast at Tokyo Game Show 🎮 **Platforms:** PlayStation 5, Xbox Series X|S, PC 📅 **Release window:** 2027 💰 **Singapore price:** not announced, undecided in trade listings 🏰 **Setting:** 16th century England, under a floating castle ruled by Elias 🗡️ **Heroes:** Leonard and Alex 🎨 **Developer:** ArtPlay, under the direction of Koji Igarashi (IGA) 📦 **Publisher:** 505 Games The trailer is the whole event here, so watch it, pause on the environments, and go argue about what Leonard and Alex can each do that the other cannot. Then keep an eye on 505 Games for the next drop, because a 2027 game with this much still unannounced has several reveals left in it, and the pricing conversation for Singapore players hasn’t even started yet! **_Visuals courtesy of 505 Games._**

ArtPlay가 개발하고 505 Games가 배급하는 블러드스테인드: 스칼렛 인게이지먼트가 TGS2026에서 신규 트레일러를 공개했다. 영상에는 드래곤 활공과 보스 전투, 두 캐릭터가 협력하는 버디 시스템이 담겼다. 16세기 영국을 배경으로 마왕 일리아스를 물리치는 레오나르도 브랜든과 알렉산더 키데라의 여정을 다루며, 2027년 출시를 목표로 개발 중이다.