That was the night I stopped going to karaoke.
That was the night I stopped going to karaoke.
📷 Maria Fellinger, c. 1893-96
"I love the spacious, probing, moody Brahms; the Brahms of breadth and depth; the progressive composer whose mature harmonic language anticipated the atonality of Schoenberg."
- Anthony Tommasini
📷 Maria Fellinger, c. 1893-96
"I love the spacious, probing, moody Brahms; the Brahms of breadth and depth; the progressive composer whose mature harmonic language anticipated the atonality of Schoenberg."
- Anthony Tommasini
YOU NEED CONVENTIONAL SOUNDS TO REPRESENT UGLY AND DARK EMOTIONS?
SKILL ISSUE
(This post is for humorous purposes)
YOU NEED CONVENTIONAL SOUNDS TO REPRESENT UGLY AND DARK EMOTIONS?
SKILL ISSUE
(This post is for humorous purposes)
#MusicChallenge
Catching up on my days
Day 10
In no particular order
Velvet Underground - I Heard Her Call My Name
Dissonance, atonality, feedback, noise, guitar solos, and a steady beat - what more could you want?
youtu.be/fEWkHAIQ3gs?...
#MusicChallenge
Catching up on my days
Day 10
In no particular order
Velvet Underground - I Heard Her Call My Name
Dissonance, atonality, feedback, noise, guitar solos, and a steady beat - what more could you want?
youtu.be/fEWkHAIQ3gs?...
After Oscar Peterson yesterday it's another piano trio and I like this a lot more. I prefer the playing style, a hint of atonality and better use space. Whilst still being easy listening there's more of an an edge to it for my ears.
open.spotify.com/album/093nLQ...
After Oscar Peterson yesterday it's another piano trio and I like this a lot more. I prefer the playing style, a hint of atonality and better use space. Whilst still being easy listening there's more of an an edge to it for my ears.
open.spotify.com/album/093nLQ...
📷 Maria Fellinger, c. 1893-96
"I love the spacious, probing, moody Brahms; the Brahms of breadth and depth; the progressive composer whose mature harmonic language anticipated the atonality of Schoenberg."
- Anthony Tommasini
📷 Maria Fellinger, c. 1893-96
"I love the spacious, probing, moody Brahms; the Brahms of breadth and depth; the progressive composer whose mature harmonic language anticipated the atonality of Schoenberg."
- Anthony Tommasini