In Birmingham Jail
Warrington Colescott
1963
Warrington Colescott
1963
September 28, 2026 at 10:46 AM
In Birmingham Jail
Warrington Colescott
1963
Warrington Colescott
1963
A fall lineup spotlights rediscovered and undervalued artists alongside major museum showcases, including Minnie Evans, Scott Kahn, Robert H. Colescott, and Aminah Brenda Lynn Robinson.
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September 11, 2026 at 2:26 PM
A fall lineup spotlights rediscovered and undervalued artists alongside major museum showcases, including Minnie Evans, Scott Kahn, Robert H. Colescott, and Aminah Brenda Lynn Robinson.
A fall lineup spotlights rediscovered and undervalued artists alongside major museum showcases, including Minnie Evans, Scott Kahn, Robert H. Colescott, and Aminah Brenda Lynn Robinson.
Save What Matters
Curate Feeds | Make Collections | Customize Email Briefs
briefly.co
September 11, 2026 at 2:22 PM
A fall lineup spotlights rediscovered and undervalued artists alongside major museum showcases, including Minnie Evans, Scott Kahn, Robert H. Colescott, and Aminah Brenda Lynn Robinson.
Robert H. Colescott | Shirley Temple Black and Bill Robinson White, 1980, Acrylic on canvas
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
Collection of Arlene and Harold Schnitzer
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
Collection of Arlene and Harold Schnitzer
August 26, 2026 at 2:21 PM
Robert H. Colescott | Shirley Temple Black and Bill Robinson White, 1980, Acrylic on canvas
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
Collection of Arlene and Harold Schnitzer
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
Collection of Arlene and Harold Schnitzer
Robert H. Colescott | The Phone Call , 1978, oil on canvas, 84 x 65 3/8 in. (213.4 x 166.1 cm.)
August 26, 2026 at 2:21 PM
Robert H. Colescott | The Phone Call , 1978, oil on canvas, 84 x 65 3/8 in. (213.4 x 166.1 cm.)
Robert H. Colescott | School Days, 1988, Acrylic on canvas
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
Denver Art Museum Collection: Funds from NBT Foundation 1991.56
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
Denver Art Museum Collection: Funds from NBT Foundation 1991.56
August 26, 2026 at 2:17 PM
Robert H. Colescott | School Days, 1988, Acrylic on canvas
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
Denver Art Museum Collection: Funds from NBT Foundation 1991.56
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
Denver Art Museum Collection: Funds from NBT Foundation 1991.56
Robert H. Colescott | Colored T.V., 1977, Acrylic on canvas
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
San Francisco Museum of Modern Art, San Francisco, CA
Gift of Vicki and Kent Logan
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
San Francisco Museum of Modern Art, San Francisco, CA
Gift of Vicki and Kent Logan
August 26, 2026 at 2:13 PM
Robert H. Colescott | Colored T.V., 1977, Acrylic on canvas
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
San Francisco Museum of Modern Art, San Francisco, CA
Gift of Vicki and Kent Logan
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
San Francisco Museum of Modern Art, San Francisco, CA
Gift of Vicki and Kent Logan
Robert H. Colescott | From a Fragment Sargent, 1962, Oil on canvas
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
Courtesy of The Robert H. Colescott Separate Property Trust and Blum & Poe, Los Angeles/New York/Tokyo
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
Courtesy of The Robert H. Colescott Separate Property Trust and Blum & Poe, Los Angeles/New York/Tokyo
August 26, 2026 at 2:13 PM
Robert H. Colescott | From a Fragment Sargent, 1962, Oil on canvas
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
Courtesy of The Robert H. Colescott Separate Property Trust and Blum & Poe, Los Angeles/New York/Tokyo
© 2021 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York
Courtesy of The Robert H. Colescott Separate Property Trust and Blum & Poe, Los Angeles/New York/Tokyo
Robert H. Colescott | George Washington Carver Crossing the Delaware: Page from an American History Textbook, 1975.
Acrylic on canvas, 78 1/2 × 98 1/4 in. l 199.4 × 249.6 cm. © Robert H. Colescott Separate Property Trust/Artists Rights Society (ARS), New York
Acrylic on canvas, 78 1/2 × 98 1/4 in. l 199.4 × 249.6 cm. © Robert H. Colescott Separate Property Trust/Artists Rights Society (ARS), New York
August 26, 2026 at 2:10 PM
Robert H. Colescott | George Washington Carver Crossing the Delaware: Page from an American History Textbook, 1975.
Acrylic on canvas, 78 1/2 × 98 1/4 in. l 199.4 × 249.6 cm. © Robert H. Colescott Separate Property Trust/Artists Rights Society (ARS), New York
Acrylic on canvas, 78 1/2 × 98 1/4 in. l 199.4 × 249.6 cm. © Robert H. Colescott Separate Property Trust/Artists Rights Society (ARS), New York
Robert H. Colescott | Natural Rhythm: Thank You Jan Van Eyck, 1976, Robert Colescott, Private collection, Saint Louis, © 2017 Estate of Robert Colescott / Artists Rights Society (ARS), New York.
Beginning in the mid-1970s, Colescott began creating works based on iconic paintings from art history.
Beginning in the mid-1970s, Colescott began creating works based on iconic paintings from art history.
August 26, 2026 at 2:08 PM
Robert H. Colescott | Natural Rhythm: Thank You Jan Van Eyck, 1976, Robert Colescott, Private collection, Saint Louis, © 2017 Estate of Robert Colescott / Artists Rights Society (ARS), New York.
Beginning in the mid-1970s, Colescott began creating works based on iconic paintings from art history.
Beginning in the mid-1970s, Colescott began creating works based on iconic paintings from art history.
Born #OTD Robert H. Colescott (26 August 1925 – 4 June 2009) was an American painter.
The Artist and the Model, Acrylic and pencil on heavy cream wove paper, 1994. 1054x750 mm; 41 1/2x29 1/2 inches. Signed and dated in pencil, lower left, and titled in pencil, lower right.
The Artist and the Model, Acrylic and pencil on heavy cream wove paper, 1994. 1054x750 mm; 41 1/2x29 1/2 inches. Signed and dated in pencil, lower left, and titled in pencil, lower right.
August 26, 2026 at 2:07 PM
Born #OTD Robert H. Colescott (26 August 1925 – 4 June 2009) was an American painter.
The Artist and the Model, Acrylic and pencil on heavy cream wove paper, 1994. 1054x750 mm; 41 1/2x29 1/2 inches. Signed and dated in pencil, lower left, and titled in pencil, lower right.
The Artist and the Model, Acrylic and pencil on heavy cream wove paper, 1994. 1054x750 mm; 41 1/2x29 1/2 inches. Signed and dated in pencil, lower left, and titled in pencil, lower right.
Warrington Colescott, 3. Dodge City, 1968
https://botfrens.com/collections/14375/contents/1118295
https://botfrens.com/collections/14375/contents/1118295
August 22, 2026 at 5:54 PM
Warrington Colescott, 3. Dodge City, 1968
https://botfrens.com/collections/14375/contents/1118295
https://botfrens.com/collections/14375/contents/1118295
Indiana always standing by to make me feel better about WisDOT
August 10, 2026 at 8:21 PM
Indiana always standing by to make me feel better about WisDOT
Robert Colescott https://www.brooklynmuseum.org/opencollection/objects/157865
August 9, 2026 at 9:58 AM
Robert Colescott https://www.brooklynmuseum.org/opencollection/objects/157865
Robert Colescott, Miss Liberty, 1980
July 4, 2026 at 2:33 PM
Robert Colescott, Miss Liberty, 1980
Robert Colescott (American, 1925-2009)
Knowledge of the Past is the Key to the Future: St. Sebastian, 1986
Acrylic on canvas
84 x 72 inches
Private collection
#art #painting #artist #BlueSkyArt
Knowledge of the Past is the Key to the Future: St. Sebastian, 1986
Acrylic on canvas
84 x 72 inches
Private collection
#art #painting #artist #BlueSkyArt
June 21, 2026 at 9:43 AM
Robert Colescott (American, 1925-2009)
Knowledge of the Past is the Key to the Future: St. Sebastian, 1986
Acrylic on canvas
84 x 72 inches
Private collection
#art #painting #artist #BlueSkyArt
Knowledge of the Past is the Key to the Future: St. Sebastian, 1986
Acrylic on canvas
84 x 72 inches
Private collection
#art #painting #artist #BlueSkyArt
Robert Colescott, Emergency Room, 1989
https://botfrens.com/collections/14377/contents/1134735
https://botfrens.com/collections/14377/contents/1134735
May 27, 2026 at 3:02 AM
Robert Colescott, Emergency Room, 1989
https://botfrens.com/collections/14377/contents/1134735
https://botfrens.com/collections/14377/contents/1134735
I haven’t felt like painting or drawing since Nov 24.’ I sold 5 paintings in 24,’ I got one accepted in the Coos Art Museum’s Spring 24’ exhibit. But haven’t felt like making art for months.
Colescott was highly disciplined. Before he became famous he taught middle school and painted until 2 AM.
Colescott was highly disciplined. Before he became famous he taught middle school and painted until 2 AM.
May 12, 2026 at 4:06 AM
I haven’t felt like painting or drawing since Nov 24.’ I sold 5 paintings in 24,’ I got one accepted in the Coos Art Museum’s Spring 24’ exhibit. But haven’t felt like making art for months.
Colescott was highly disciplined. Before he became famous he taught middle school and painted until 2 AM.
Colescott was highly disciplined. Before he became famous he taught middle school and painted until 2 AM.
Colescott was a student of Lèger in Paris. I earned quality ed from the U of AZ. They bought my art. My profs were awesome: Barbara Rogers, James G Davis, Bailey Doogan, Harmony Hammond, Bruce McGrew, Mikelle Omari Tunkara, Alfred Quiroz & Robert Reich, Paul Ivey, David Soren Josh Goldberg and more.
May 12, 2026 at 4:06 AM
Colescott was a student of Lèger in Paris. I earned quality ed from the U of AZ. They bought my art. My profs were awesome: Barbara Rogers, James G Davis, Bailey Doogan, Harmony Hammond, Bruce McGrew, Mikelle Omari Tunkara, Alfred Quiroz & Robert Reich, Paul Ivey, David Soren Josh Goldberg and more.
#JOHN P #HIGGINS
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May 1, 2026 at 10:26 AM
At the Bathers’ Pool: Ancient Goddesses and the Contest for Classic Purity, by Robert Colescott
American, 1925-2009
1985
More info: https://www.artic.edu/artworks/279600
American, 1925-2009
1985
More info: https://www.artic.edu/artworks/279600
April 30, 2026 at 3:38 PM
At the Bathers’ Pool: Ancient Goddesses and the Contest for Classic Purity, by Robert Colescott
American, 1925-2009
1985
More info: https://www.artic.edu/artworks/279600
American, 1925-2009
1985
More info: https://www.artic.edu/artworks/279600
Robert Colescott, Sunday Afternoon with Joaquin Murietta, 1980
April 27, 2026 at 11:20 PM
Robert Colescott, Sunday Afternoon with Joaquin Murietta, 1980
I interviewed her years ago when I thought I might write a Colescott book (still undecided on that..!). Here's an invitation to a 1969 Colescott show at Arlene's Fountain Gallery in Portland oregonvisualarts.org/robert-coles...
April 17, 2026 at 5:04 PM
I interviewed her years ago when I thought I might write a Colescott book (still undecided on that..!). Here's an invitation to a 1969 Colescott show at Arlene's Fountain Gallery in Portland oregonvisualarts.org/robert-coles...
I didn't know about the Arlene Schnitzer-Robert Colescott connection!
April 17, 2026 at 4:58 PM
I didn't know about the Arlene Schnitzer-Robert Colescott connection!