#PostMinimal
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dr-rizzotto.bsky.social
The Time Curve Preludes, Nº 1. The world's first postminimal piece of music, by William Duckworth. In it he used the Fibonacci series in developing proportional and rhythmic patterns with a numerical grid. Weights are placed on the low E-flat keys, allowing their strings to vibrate sympathetically.
August 2, 2026 at 12:57 AM
michaelmathewsart.bsky.social
“Factory 02” (Confluence of Ashes)
[Ascension series]
mixed media on canvas
20x20x1.5 inches
2025

#industrialchic #industrial #collageart #blackaesthetic #mixedmediaart #mixedmediapaintings #contemporarycollagemagazine #contemporaryartist #postminimal #postminimalist #factories #factory #uniroyal
March 16, 2025 at 4:25 PM
danielhicks.bsky.social
Plaque One: 12.5 x 6 x 1 1/8 in. (31.7 x 15.2 x 2.8 cm) – spray paint, paper (corrugated paint backdrop), basswood, edge ply – 2025
#californiaartist #assemblageart
#postminimal #contemporaryartist #contemporaryabstract #objectart
#expandedpainting #contemporaryart
#wallobject
March 25, 2025 at 3:28 AM
danielhicks.bsky.social
6 Parts 3 Colors 2 Shapes: 14 1/2 x 9 7/16 x 1 7/8 in. (36.8 x 23.9 x 4.8 cm) – spray paint, basswood, unfinished maple, edge ply – 2024

#reductiveabstraction
#contemporaryabstract #objectart #nonrepresentationalart #nonobjectiveart #californiaartist #expandedpainting #concreteart
#postminimal
February 24, 2025 at 8:46 PM
gaffelet.bsky.social
shit, RIP to the great postminimal composer Daniel Lentz. a generational talent
www.youtube.com/watch?v=-yVH...
Daniel Lentz - O-Ke-Wa
YouTube video by spiritualarchive
www.youtube.com
July 28, 2025 at 4:34 PM
jparrycomposer.bsky.social
The JP Quartet album out now, here:

jonathanparry.bandcamp.com/album/a-matt...

Listen, buy ! 😁

#newmusic #jazz #prog #classical #postminimal
July 21, 2026 at 9:56 AM
jeniprescott.bsky.social
The paint and I dance until we stop stepping on each other’s toes- seemingly unrelated layers of paint added and removed in search of a moment of clarity. My dance teacher so far has been the paint itself. That’s not a brag, it’s an admission. #abstractart #contemporarypainting #postminimal
Painting that has no true form with ghost circles colors are greens yellows blues
June 8, 2026 at 12:56 AM
gaffelet.bsky.social
kyle gann's writing about improvisation (along with anyone who took space from his postminimal darlings in the 80s by programming/playing improvised music) is so insipid and hyperventilating
January 22, 2025 at 5:34 AM
mikelindgren.bsky.social
This just goes so fucken hard
music.youtube.com/watch?v=tZDZ...
The Rolling Stones: Bye Bye Johnny- Live (New York, 1972)
YouTube video by postminimal
music.youtube.com
January 15, 2025 at 4:09 AM
interactions247.bsky.social
WhiteOut
by Lawrence English
Released September 12th, 2025

#Bandcamp #Electronic
#Ambient #Antarctica #Drone
#FieldRecordings #PostClassical
#PostEverything #PostMinimal
#SoundArt #Brisbane
lawrenceenglish.bandcamp.com/album/whiteout
WhiteOut, by Lawrence English
8 track album
lawrenceenglish.bandcamp.com
September 14, 2025 at 3:55 PM
aiccontemporary.bsky.social
Durango https://www.artic.edu/artworks/64961/
Durango’s padded interior—discarded cloth rags wrapped around a wood stretcher bar—gives way to a sturdy, skin-like musculature, creating a tension between the seeming corporeality of the structure and its synthetic materials. The anthropomorphic form engages ideas of process, labor, and materiality that connect feminist strategies and concerns of Minimal and Postminimal art. By adopting repetitive and additive procedures such as wrapping, braiding, and binding as sculptural practice, the artist recuperates physical activities often associated with women’s domestic work. The sculpture’s coiled form registers and makes visible Hammond’s labor, rendering her physical engagement with its materials an integral part of the work itself. Gift of Judith Daner
April 24, 2026 at 1:11 PM
aiccontemporary.bsky.social
Durango https://www.artic.edu/artworks/64961/
Durango’s padded interior—discarded cloth rags wrapped around a wood stretcher bar—gives way to a sturdy, skin-like musculature, creating a tension between the seeming corporeality of the structure and its synthetic materials. The anthropomorphic form engages ideas of process, labor, and materiality that connect feminist strategies and concerns of Minimal and Postminimal art. By adopting repetitive and additive procedures such as wrapping, braiding, and binding as sculptural practice, the artist recuperates physical activities often associated with women’s domestic work. The sculpture’s coiled form registers and makes visible Hammond’s labor, rendering her physical engagement with its materials an integral part of the work itself. Gift of Judith Daner
October 3, 2025 at 6:23 PM