How to wear sunglasses - tips from the films of Satyajit Ray.
1/8. Sharmila Tagore getting ready for the shoot of DAYS AND NIGHTS IN THE FOREST/ARANYER DIN RATRI (1970). Photo by Nemai Ghosh.
1/8. Sharmila Tagore getting ready for the shoot of DAYS AND NIGHTS IN THE FOREST/ARANYER DIN RATRI (1970). Photo by Nemai Ghosh.
July 10, 2026 at 11:03 AM
How to wear sunglasses - tips from the films of Satyajit Ray.
1/8. Sharmila Tagore getting ready for the shoot of DAYS AND NIGHTS IN THE FOREST/ARANYER DIN RATRI (1970). Photo by Nemai Ghosh.
1/8. Sharmila Tagore getting ready for the shoot of DAYS AND NIGHTS IN THE FOREST/ARANYER DIN RATRI (1970). Photo by Nemai Ghosh.
O mestre Satyajit Ray fotografado por Nemai Ghosh no set de "Ganashatru" ('An Enemy of the People'), drama de 1990.❤️🎥
#satyajitray #nemaigosh #ganashatru #anenemyofthepeople
#satyajitray #nemaigosh #ganashatru #anenemyofthepeople
July 11, 2025 at 2:03 AM
O mestre Satyajit Ray fotografado por Nemai Ghosh no set de "Ganashatru" ('An Enemy of the People'), drama de 1990.❤️🎥
#satyajitray #nemaigosh #ganashatru #anenemyofthepeople
#satyajitray #nemaigosh #ganashatru #anenemyofthepeople
O mestre Satyajit Ray fotografado por Nemai Ghosh no set de "The Adversary", obra-prima de 1970.♥️
Há exatos 103 anos, nascia na Índia um dos maiores gênios da história da sétima arte.🎥🔥
Há exatos 103 anos, nascia na Índia um dos maiores gênios da história da sétima arte.🎥🔥
May 3, 2024 at 1:32 AM
O mestre Satyajit Ray fotografado por Nemai Ghosh no set de "The Adversary", obra-prima de 1970.♥️
Há exatos 103 anos, nascia na Índia um dos maiores gênios da história da sétima arte.🎥🔥
Há exatos 103 anos, nascia na Índia um dos maiores gênios da história da sétima arte.🎥🔥
Vou lotar vcs de Wip tô nemai
November 8, 2024 at 12:45 PM
Vou lotar vcs de Wip tô nemai
Satyajit Ray sketches the opening credit sequence for The Fortress, 1974
Another wonderful photograph by Nemai Ghosh
Another wonderful photograph by Nemai Ghosh
May 2, 2025 at 2:49 PM
Satyajit Ray sketches the opening credit sequence for The Fortress, 1974
Another wonderful photograph by Nemai Ghosh
Another wonderful photograph by Nemai Ghosh
Director Satyajit Ray seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer.
October 10, 2025 at 1:50 PM
Director Satyajit Ray seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer.
April 8, 2026 at 7:04 AM
Satyajit Ray photographed by Nemai Ghosh while making The Adversary, 1970. Ghosh was the still photographer on Ray's sets for many years.
"Ray's magic, the simple poetry of his images & their emotional impact will always stay with me."
- Martin Scorsese
"Ray's magic, the simple poetry of his images & their emotional impact will always stay with me."
- Martin Scorsese
May 2, 2025 at 2:42 PM
Satyajit Ray photographed by Nemai Ghosh while making The Adversary, 1970. Ghosh was the still photographer on Ray's sets for many years.
"Ray's magic, the simple poetry of his images & their emotional impact will always stay with me."
- Martin Scorsese
"Ray's magic, the simple poetry of his images & their emotional impact will always stay with me."
- Martin Scorsese
Satyajit Ray seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty apollo-magazine.com/satyajit-ray...
Satyajit Ray: a director always ready for his close-up
The film-maker seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty
apollo-magazine.com
October 11, 2025 at 5:08 PM
Satyajit Ray seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty apollo-magazine.com/satyajit-ray...
Satyajit Ray behind the camera on location, The Chess Players
📷 Nemai Ghosh, 1977
📷 Nemai Ghosh, 1977
May 2, 2025 at 2:43 PM
Satyajit Ray behind the camera on location, The Chess Players
📷 Nemai Ghosh, 1977
📷 Nemai Ghosh, 1977
3/8. I think that we can assume that the glasses Targore wore in DAYS AND NIGHTS IN THE FOREST were her own as she is wearing the same pair as Ray sets up a shot with her and co-star Barun Chanda in COMPANY LIMITED/SEEMABADDHA (1971). Photos by Nemai Ghosh.
July 10, 2026 at 11:03 AM
3/8. I think that we can assume that the glasses Targore wore in DAYS AND NIGHTS IN THE FOREST were her own as she is wearing the same pair as Ray sets up a shot with her and co-star Barun Chanda in COMPANY LIMITED/SEEMABADDHA (1971). Photos by Nemai Ghosh.
I love this Nemai Ghosh shot of Satyajit Ray working at night in his study
“He devises richly credible people, surveys them with true charity, and encourages his actors into unaffected revelation.”
- David Thomson
“He devises richly credible people, surveys them with true charity, and encourages his actors into unaffected revelation.”
- David Thomson
May 2, 2025 at 2:52 PM
I love this Nemai Ghosh shot of Satyajit Ray working at night in his study
“He devises richly credible people, surveys them with true charity, and encourages his actors into unaffected revelation.”
- David Thomson
“He devises richly credible people, surveys them with true charity, and encourages his actors into unaffected revelation.”
- David Thomson
For 25 years, Nemai Ghosh was Satyajit Ray’s amanuensis – or, as the great Bengali film-maker would introduce him to reporters, ‘a sort of Boswell working with a camera rather than a pen’. buff.ly/B6wtDus
Satyajit Ray: a director always ready for his close-up
The film-maker seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty
buff.ly
October 12, 2025 at 6:01 PM
For 25 years, Nemai Ghosh was Satyajit Ray’s amanuensis – or, as the great Bengali film-maker would introduce him to reporters, ‘a sort of Boswell working with a camera rather than a pen’. buff.ly/B6wtDus
Nemai Ghosh's treasure trove of black-and-white pictures have been widely exhibited and collected in book form. But Ghosh shot images of #SatyajitRay in colour too. scroll.in/reel/1092533...
An exhibition of these will be displayed from May 9 to July 4 at Windsor Palace Delhi.
An exhibition of these will be displayed from May 9 to July 4 at Windsor Palace Delhi.
May 5, 2026 at 4:26 PM
Nemai Ghosh's treasure trove of black-and-white pictures have been widely exhibited and collected in book form. But Ghosh shot images of #SatyajitRay in colour too. scroll.in/reel/1092533...
An exhibition of these will be displayed from May 9 to July 4 at Windsor Palace Delhi.
An exhibition of these will be displayed from May 9 to July 4 at Windsor Palace Delhi.
estarei chamando pro bate e volta to nemaí
January 29, 2026 at 3:42 AM
estarei chamando pro bate e volta to nemaí
Nemai Ghosh documents Satyajit Ray the Renaissance Man: at the HMV recording studio in Dumdum, Calcutta.
Ray could do everything: he was a fine composer as well as a visual artist. And he excelled in the collaborative side of filmmaking.
Ray could do everything: he was a fine composer as well as a visual artist. And he excelled in the collaborative side of filmmaking.
May 2, 2025 at 2:50 PM
Nemai Ghosh documents Satyajit Ray the Renaissance Man: at the HMV recording studio in Dumdum, Calcutta.
Ray could do everything: he was a fine composer as well as a visual artist. And he excelled in the collaborative side of filmmaking.
Ray could do everything: he was a fine composer as well as a visual artist. And he excelled in the collaborative side of filmmaking.
Tror fint man vil kunne lave en god NemAI™ der kan køre på folkets egne computere og telefoner
Ny dansk AI-model slår langt større konkurrenter - recordere.dk
En ny dansk sprogmodel skal vise, at konkurrencedygtig kunstig intelligens ikke nødvendigvis kræver enorme datacentre og milliarder af parametre.
www.recordere.dk
August 20, 2026 at 7:19 AM
Tror fint man vil kunne lave en god NemAI™ der kan køre på folkets egne computere og telefoner
Satyajit Ray seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty
Satyajit Ray: a director always ready for his close-up
The film-maker seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty
buff.ly
October 17, 2025 at 7:01 PM
Satyajit Ray seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty
eu literalmente de pau de fora to nemai
September 1, 2024 at 4:06 AM
eu literalmente de pau de fora to nemai
Satyajit Ray by Nemai Ghosh
On the set of An Enemy of the People, 1989
Henri Cartier-Bresson on Ghosh:
"He allows us to be intimate with filmmaking, & to feel with great fidelity the drive, the alertness & the profundity of this giant of cinema in all his majestic stature."
On the set of An Enemy of the People, 1989
Henri Cartier-Bresson on Ghosh:
"He allows us to be intimate with filmmaking, & to feel with great fidelity the drive, the alertness & the profundity of this giant of cinema in all his majestic stature."
May 2, 2025 at 2:44 PM
Satyajit Ray by Nemai Ghosh
On the set of An Enemy of the People, 1989
Henri Cartier-Bresson on Ghosh:
"He allows us to be intimate with filmmaking, & to feel with great fidelity the drive, the alertness & the profundity of this giant of cinema in all his majestic stature."
On the set of An Enemy of the People, 1989
Henri Cartier-Bresson on Ghosh:
"He allows us to be intimate with filmmaking, & to feel with great fidelity the drive, the alertness & the profundity of this giant of cinema in all his majestic stature."
Satyajit Ray seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty
Satyajit Ray: a director always ready for his close-up
The film-maker seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty
apollo-magazine.com
October 15, 2025 at 5:00 AM
Satyajit Ray seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty
Satyajit Ray seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty
Satyajit Ray: a director always ready for his close-up
The film-maker seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty
buff.ly
October 15, 2025 at 10:00 PM
Satyajit Ray seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty
continho amando candybats alias beijosssss to nemai se aiii e mt famoso a fandm e toxica aiiii eles naoligao pros outros persona Fodaseeeee um beijao na boca
a couple of hearts with cartoon characters and the word kiss
ALT: a couple of hearts with cartoon characters and the word kiss
media.tenor.com
October 2, 2024 at 1:55 AM
continho amando candybats alias beijosssss to nemai se aiii e mt famoso a fandm e toxica aiiii eles naoligao pros outros persona Fodaseeeee um beijao na boca
In the photographs Nemai Ghosh took of Satyajit Ray over the course of 25 years, he seemed to see the director as ‘a Chaplinesque actor behind the camera, always the centre of attention at every shoot’, writes Abrajyoti Chakraborty
Satyajit Ray: a director always ready for his close-up
The film-maker seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty
buff.ly
November 1, 2025 at 8:00 PM
In the photographs Nemai Ghosh took of Satyajit Ray over the course of 25 years, he seemed to see the director as ‘a Chaplinesque actor behind the camera, always the centre of attention at every shoot’, writes Abrajyoti Chakraborty
In the photographs Nemai Ghosh took of Satyajit Ray over the course of 25 years, he seemed to see the director as ‘a Chaplinesque actor behind the camera, always the centre of attention at every shoot’, writes Abrajyoti Chakraborty
Satyajit Ray: a director always ready for his close-up
The film-maker seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty
buff.ly
December 6, 2025 at 3:45 AM
In the photographs Nemai Ghosh took of Satyajit Ray over the course of 25 years, he seemed to see the director as ‘a Chaplinesque actor behind the camera, always the centre of attention at every shoot’, writes Abrajyoti Chakraborty