#obidome
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chroma615.bsky.social
レトロかわいい着物コーデに
For a retro-cute kimono look.

SHOP
chr1364765.owndshop.com/items/72519885

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#青空着物部 #kimonoSky
#和小物 #和装アクセサリー #和モダン #JapaneseAccessories #帯留
帯留｜フェルトのつまみ細工(6種) ／ Obidome｜Felt Tsumami Zaiku (6 styles) | CHROMA×615 powered by BASE
レトロかわいい着物コーデにFor a retro-cute kimono look. (English description below)【商品の特徴】色彩鮮やかなフェルトを用いた、つまみ細工の帯留です。絹とはひと味違う、こっくりとした甘さを含むような質感が、レトロで可愛らしいアクセントを添えます。帯留金具は、多少厚みのある三分紐でも使えます。【大きさ】約 高20× 幅78 × 厚23 mm約 ...
chr1364765.owndshop.com
October 6, 2026 at 2:21 AM
onozuka komachi (touhou) drawn by orange555_555
1girl brown_sash coin coin_on_string commentary_request full_body grin hair_bobbles hair_ornament highres looking_at_viewer medium_hair obi obidome onozuka_komachi orange555_555 puffy_short_sleeves puffy_sleeves red_eyes red_hair sash short_sleeves simple_background smile socks solo tabi touhou two_side_up white_background white_socks
safebooru.donmai.us
October 5, 2026 at 11:24 AM
chroma615.bsky.social
着物を着る楽しみのひとつ、帯留。
丸くて可愛いデザイン
花の飾りは絹でできています

Obidome — one of the joys of wearing kimono.
A cute, rounded design with a floral ornament made of silk.

SHOP
chr1364765.owndshop.com/items/78447915

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#青空着物部 #kimonoSky
#和小物 #和装アクセサリー #和モダン #JapaneseAccessories #帯留
絹花の帯留め | CHROMA×615 powered by BASE
絹の柔らかな色が映える「絹花の帯留め」透けるほど薄くなく、縮緬ほど厚みもない、着物の裏に使われる布を使用。柔らか物でも、紬でも、喧嘩せずによく合います。サイズ：5×3cm素材：絹の古布、ガラス= - = - = - = - = - = - = - = - = - = - = - = - = - = - =ハンドメイド作品です。製作から発送まで、細心の注意を払ってしておりますが、万が一お手元に届いた...
chr1364765.owndshop.com
September 26, 2026 at 12:54 AM
buzzcut565.bsky.social
みやぢさん、こんばんは🌆
今日も一日、お疲れ様でした😊

麻の葉繋がりという柄にしてみましたが、tubaki.3では理解してもらえませんでした😅
#AIイラスト
kimono, traditional Japanese kimono, unbleached ivory base fabric, ecru kimono, dark red asanoha-tsunagi pattern, crimson hemp leaf continuous pattern, yellow obi, dark red obijime, white obidome, elegant traditional color scheme, refined Japanese clothing
September 17, 2026 at 10:45 AM
roger1952.bsky.social
‘Obidome’ is an ornament worn over an ‘obi’ sash. Japan.
Set against a rich, plum-hued fabric field scattered with delicate fallen cherry blossom petals (sakura no hanabira), this exquisite photograph by Yamazaki Osamu highlights the jewel-like elegance of a traditional Japanese obidome (帯留め)—a carved metal ornament worn anchored to the front of a kimono's sash. The circular ornament is rendered in delicate openwork metal (sukashibori), depicting a lush, dimensional cluster of five-petaled sakura blossoms whose finely chased stamens and veined petals interlock in low relief. Threaded horizontally through the reverse loops (domi-kan) of the piece is a narrow, flat-woven silk cord—a three-bu width sanpumi-himo—dyed in a deep magenta hue, establishing a crisp chromatic axis that anchors the shimmering silver ornament at the center of the sartorial composition. The evolution of the obidome represents a transformative period in late 19th-century Japanese material culture. Following the 1876 Haitōrei (Sword Abolition Edict), master metalworkers (kinkōshi) who had previously forged ornate sword fittings—such as sword guards (tsuba) and hilt ornaments (menuki)—redirected their exceptional carving, chasing, and alloy-working techniques toward personal accessories for female dress. Throughout the Meiji and Taishō eras, these miniature sculptures became the primary form of jewelry in traditional wafuku, allowing wearers to showcase refined taste, social status, and seasonal awareness through wearable art. Artisans employed precise chiseling (chōkoku) to transform silver, gold, and specialized alloys into fluid, organic motifs that caught the light with understated brilliance.
September 2, 2026 at 8:22 AM
ai-slurp.bsky.social
a mix of confidence and determination on her face

#aiart #animeart
A young girl with pink hair and a white apron stands in an obidome, looking directly at the viewer. She wears black gloves, a frilled choker, and has red eyes. Her long sleeves have pom poms attached to them. Her long hair is held back and adorned with an ornament. A gradient background of pastel pinks adds to the scene's dreamy atmosphere.
August 25, 2026 at 1:00 AM
roger1952.bsky.social
Photographed with pristine clarity by Atsushi Nakamura (Studio KJ), this exceptional metal obidome (sash clip) by the master metal engraver Mitsuharu Katsura (1871–1962) represents a triumph of 20th-century Japanese chōkoku (metal carving and chasing).
Depicting a red-crowned crane (tanchōzuru) frozen in graceful, horizontal flight, the piece transforms a timeless motif of longevity, auspicious fortune, and marital fidelity into a dynamic, wearable sculpture designed to anchor the central obijime cord across the front of a formal kimono sash. The work showcases Katsura’s masterly command of traditional Japanese irogane (colored metal alloys) and specialized chiseling techniques (tagane-bori). The torso and sweeping, layered wings are sculpted from silver or shibuichi (a silver-copper alloy), painstakingly carved using microscopic line-engraving (kebori) and relief chiseling to articulate the soft texture of individual feather barbules. To create dramatic tonal contrast without relying on applied pigments or enamel, Katsura integrates shakudō—a proprietary copper-gold alloy patinated via a traditional chemical bath (rokushō) to yield a deep, velvety blue-black finish—for the dark trailing tail plumage and throat lining. The beak, eye, and slender, outstretched legs are highlighted in warm gold inlay (kin-zōgan), while the crown of the head features a textured red accent reproducing the crane's signature crimson cap. Aesthetically, the horizontal elongation of the bird’s swept-back wings provides an ideal architectural balance for its functional placement on the obi, allowing the fluid, organic silhouette of the crane to rest comfortably against the flat plane of woven silk. Historically, works of this caliber reflect the creative pivot following the 1876 Haitōrei (sword abolition edict), which compelled master sword-fitting metalsmiths (kodogu-shi) to rechannel their generational knowledge of alloys and chasing into civilian jewelry.
August 22, 2026 at 7:53 PM
roger1952.bsky.social
Photographed by Atsushi Nakamura (Studio KJ), this obidome—a decorative sash clip worn at the front of a kimono—showcases the virtuosic mastery of Shibayama-zaiku, a traditional Japanese decorative inlay technique.
Shaped as an overlapping pair of folding fans (sensu), the piece serves as a miniature canvas overflowing with precious materials, featuring carved white mother-of-pearl (naga-gai), iridescent abalone (awabi), polished natural coral beads in rich shades of salmon and vermilion, and carved tortoiseshell or dark horn. The composition bursts with botanical life, anchored by a prominent central white rose and surrounded by cascading coral berries, smaller white blossoms with gold-inlaid pistils, and delicately veined leaves rendered in subtle shades of green and pink. Every microscopic element is meticulously hand-carved and set into a dark base frame, requiring generations of specialized knowledge in micro-mosaic inlaying. Historically developed in the late Edo period by Shibayama Dokan and brought to international acclaim during the Meiji era, such miniature works of art transformed practical kimono accessories into breathtaking showcases of luxury, material contrast, and meticulous craftsmanship.
August 22, 2026 at 2:04 AM
roger1952.bsky.social
An early 20th-century jewel obidome (kimono sash ornament) exemplifies the fusion of Western Art Deco aesthetics and traditional Japanese dress culture during the Taishō and early Shōwa eras (c. 1920s–1930s). Photographed by Atsushi Nakamura (Studio KJ)
The piece features a dynamic, sweeping openwork design crafted in platinum or white gold, centered around a striking deep cobalt-blue gemstone—likely a sapphire or cut glass—set with a brilliant-cut diamond in a classic "target" or "eyeball" center bezel. Flanking the central stone on the right, three crescent-cut opals display a soft, ethereal play-of-color, arranged like stylized leaves or stylized cresting waves along delicate openwork ribs. The opposing lower curve is inlayed with glossy black enamel (or carved onyx) and bordered by a tightly set row of delicate seed pearls (keshi-dama). The metalwork is trimmed throughout with micro-milgrain (miru-uchi) beadwork, a signature technique of early 20th-century Japanese master jewelers who adapted European platinum-smithing to create light, lace-like mountings that caught the ambient light without snagging delicate silk. Worn threaded onto a narrow obijime cord and centered over the main obi sash, the obidome evolved during the Taishō Roman period into the definitive jewelry focal point of elite women's attire. As high fashion embraced Western gemstones and modern geometric motifs, pieces like this bridged the gap between fine European jewelry craftsmanship and traditional wafuku styling, leaving behind a lasting legacy of cosmopolitan elegance in Japanese material culture.
August 12, 2026 at 11:55 AM
buzzcut565.bsky.social
@meesan00.bsky.social

#AI和装同好会
#AIゆかた祭り2026
赤青紅葉柄パッチワーク🍁
黄色帯というビビット浴衣です👘
以前の感じだと、パッチワークの柄はそれぞれのツールにお任せになっちゃう仕様ですね😉
#AIイラスト
traditional Japanese yukata, patchwork yukata, large irregular patchwork panels, blue fabric panels, red fabric panels, blue maple leaves on blue panels, green-blue maple leaf pattern, red maple leaves on red panels, red autumn maple leaf pattern, yellow obi, plain yellow obi, no obi pattern, blue obijime, transparent glass maple leaf obidome, Japanese traditional, seasonal transition, summer to autumn, elegant, colorful, highly detailed, チャピさん Geminiさん PixAI tubaki.2 プロ スタイル、LoRa無し 単一 ネガティブデフォルト
August 11, 2026 at 9:18 AM
buzzcut565.bsky.social
こちらこそありがとうございます😊
和柄や植物の取り入れ方が、めちゃくちゃチャピさんと一緒に勉強できました🫡
Gemini版🍁
#AIイラスト
traditional Japanese summer yukata, cream yukata, blue maple leaves, blue momiji pattern, thin indigo vertical stripes, striped pattern, indigo obi, flowing water pattern, light green obijime, glass maple leaf obidome, Japanese uchiwa fan, summer, Japanese traditional, elegant, highly detailed, 9:16
August 7, 2026 at 11:52 AM
roger1952.bsky.social
“Jûgoya” outfit worn by @usako_kimono, featuring an autumn plants kimono (with clovers and pinks) paired with a beautiful embroidered white rabbit obi and obidome.

Jûgoya is the moon of the 15th day of the 8th lunar month, also known as the harvest moon.
This charming close-up details a Jūgoya (harvest moon) themed ensemble styled by @usako_kimono, perfectly capturing the seasonal motif of the moon rabbit (tsuki no usagi). The backdrop of the composition is a dark, open-weave summer or early autumn kimono fabric woven with subtle plant motifs. Centered on the dark obi is a large, meticulously hand-embroidered white rabbit with warm peach-toned inner ears, red eyes, and delicate, dense satin-stitching that mimics soft fur. Resting over the embroidery is a thin terracotta-orange sash cord (sanada-himo) secured with a sculpted, three-dimensional rabbit obidome (sash clip) featuring soft blush ears and reddish eyes. The clever layering of the sculpted rabbit over the embroidered rabbit creates a delightful play on texture and depth, beautifully celebrating traditional Japanese seasonal aesthetics.
July 23, 2026 at 10:40 AM
roger1952.bsky.social
“Shibayama crafted obidome”, Engraved obidome (made by Mitsuharu Katsura). Netsuke of a rabbit parent and child attached to a cigarette holder for women. Japan
This triptych photograph highlights three exquisite Japanese decorative art objects, showcasing the fine metalwork, inlay, and miniature carving techniques of the Meiji and Taisho periods. The top panel features an arched, fan-shaped obidome (kimono sash clip) crafted in the intricate Shibayama-style inlay. It displays a lush, jewel-like floral arrangement against a dark ground, constructed using mother-of-pearl, coral, and stained ivory to form blooming peonies, chrysanthemums, and delicate foliage tucked into a woven basket motif. The middle panel shows a sculpted silver obidome depicting a flying crane (tsuru) in mid-flight, masterfully engraved by the metal craftsman Mitsuharu Katsura. The bird is rendered with fluid elegance, featuring delicate line carving on the outspread wings and body, accented by dark, patinated feathers along its back and tail. The bottom panel highlights a carved ivory netsuke depicting a parent rabbit and kit. The larger rabbit looks upward with inset reddish eyes while holding its small offspring, resting atop a woven textile pouch used as a woman's cigarette holder. A vibrant red coral bead (ojime) strung along the braided cord completes the traditional tobacco pouch assembly.
July 22, 2026 at 1:44 PM
yall-are.girlskissers.gay
WAITER! WAITER! MORE GIRLS KISSING, PLEASE
source (safebooru)
#yuri #百合 #wlw #lesbian
I am a bot! Check out my source code!

Help keep yuri bot up! Buy me a Strawberry!
Danbooru Tags: 2girls blue_hair blue_kimono blush brown_hair commentary_request floral_print floral_print_sash furisode green_eyes highres holding_hands interlocked_fingers japanese_clothes kimono kneeling multiple_girls obi obiage obidome obijime one_eye_closed open_mouth original print_kimono purple_eyes sash short_hair simple_background sitting smile tatami wavy_mouth white_kimono yakusa yuri
July 18, 2026 at 5:00 AM
kaguya (cho kaguya-hime!) drawn by hisahiko
1girl animal_ears blonde_hair cho_kaguya-hime! commentary_request crescent crescent_hair_ornament crescent_moon detached_sleeves from_side hair_ornament hisahiko japanese_clothes kaguya_(cho_kaguya-hime!) kimono long_hair lop_rabbit_ears moon obi obidome obijime rabbit_ears sash sidelocks smile solo star_(symbol) translation_request upper_body yellow_eyes
safebooru.donmai.us
July 12, 2026 at 1:57 AM
lamisaiart.bsky.social
･:.｡.☆ﾟ･🫧･ﾟ☆.｡.:･ﾟ

Xで発表した新作コーデを、
Blueskyにも。

#ラミスコーデ
《Crimson Camellia Moon》

赤椿と月をまとう、
夜の浴衣ドレス。

ミッドナイトネイビーに、
ワインレッドの帯。
片袖の流れと、
ハイローのシルエットで、
大人ビューティーな一着にしました。

A moonlit yukata dress
with crimson camellias.

デザイン紹介ページを参考画像にして、
「この衣装を着せて」と試してみるのもおすすめです👘

𝓛𝓪𝓶𝓲𝓼 𝓟𝓻𝓸𝓳𝓮𝓬𝓽 🫧

#LamisProject

･:.｡.☆ﾟ･🫧･ﾟ☆.｡.:･ﾟ
Use this design page as a reference image and ask your image generator: “Please dress my character in this outfit.” Outfit tags: asymmetrical one-sleeve yukata dress, one exposed shoulder, one long flowing sleeve, midnight navy fabric, crimson camellia motifs, crescent moon motifs, silver water ripple motifs, high-low hem, wine-red obi, blue glass obidome, matching fan, drawstring pouch, geta sandals, elegant adult beauty yukata dress.
July 9, 2026 at 6:43 PM
matsuzawa.bsky.social
We made a pair of obidome featuring Fujin and Raijin using urushi.
An obidome is a decorative clasp or ornament worn on the cord over an obi, the sash used with kimono.
These pieces are very finely crafted.
Obidome
July 1, 2026 at 3:44 PM
roger1952.bsky.social
Kimono accessories: shrimp, swallow, goldfish and sailing ship. All of them are cute, and just looking at them will be fun. I often use sailboat motifs because I [Yuki] often use them.
YUKI KUMAGAI
A vertical studio photograph displays a collection of whimsical, traditional Japanese kimono accessories arranged neatly on a dark, matte background. The composition highlights the delicate craftsmanship of several obidome (decorative sashes ornaments or brooches) and an obijime (the braided cord used to secure a kimono's sash), showcasing a variety of materials and playful motifs designed by Yuki Kumagai. Stretching diagonally from the top right to the middle left of the frame is a flat, braided silk obijime cord rendered in a soft coral-pink hue with a slender, undulating green chevron stripe running through its center. Threaded directly onto this cord is a semi-translucent, carved orange agate obidome shaped like a realistic, curled shrimp or prawn, complete with delicate silver wire tendrils extending forward to represent its long antennae. To the right of the cord, the remaining carved ornaments are displayed floating across the dark field. Near the top right sits a detailed peach-colored coral or shell obidome meticulously carved into the shape of a multi-masted sailing ship with billowing sails. Below the ship rests a larger, translucent chalcedony or agate ornament shaped like a whimsical goldfish, its wide fins displaying a soft gradient that shifts from milky white at the head to a deep, warm orange at the tail. In the lower-left area, a glossy, jet-black lacquer or horn ornament depicts a sleek swallow bird captured mid-flight with its wings swept backward. Finally, along the bottom right edge rests an elongated, bar-shaped metal hairpin or clasp made of brass, set with three small, pale shell carvings shaped like fan-tailed birds or blossoms. The soft, even overhead lighting glints gently off the polished surfaces of the stones and metal, emphasizing the intricate textures and three-dimensional charm of these small personal adornments.
June 21, 2026 at 6:15 PM
drsabinemetzger.bsky.social
🦇 #BatsInArt #PreciousBats #Jewellery #Japanese #ShochikusaiYuho
Shochikusai Yuho (1868 - 1936)
BATS OBIDOME, late 19th / early 20th century
Sash clip, wood
https://www.mutualart.com/Artist/Shochikusai-Yuho/A050817418715049
June 19, 2026 at 3:51 AM