Sketchbook of Claus leSable 🔞
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sketchbook.escapeclaus.art
Sketchbook of Claus leSable 🔞
@sketchbook.escapeclaus.art
39 followers 40 following 21 posts
Sketchbook of ero artist @escapeclaus.art.
Adults only.
SFW: [ @blkmkt.net ]
Subjects: [ #nsfw #nsfwoc #sketch ]
OCs: [ #clauslesable #prickle #persimmon #basicbear #hbsnail ]
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Reposted by Sketchbook of Claus leSable 🔞
brickmanblock.bsky.social
big thanks to @sketchbook.escapeclaus.art for helping with the comic paneling and @dotseed.bsky.social for the last line!
#nsfw #furry #nsfwart #brickmanart
Panel one: Imara receives thanks from her monkey coworker as she walks away. Coworker:I just want to say thanks for being… a friend after my divorce. Panel two: her boss, Mr Reiner repeats her request back to her. Mr Reiner (a rhinoceros): you want more vacay for your team? Imara: yjats right, Mr. Reiner! A healthy life balance means success for our team! Panel three: Imara sits at her desk satisfied with the news that her training an employee has paid off. Dara( a sweater vest wearing busty old eagle) :the team lead you trained has top earnings this quarter! Mr. Reiner states the department can see us handling a new project ! Imara:excellent, Dara. Message the team that we’re seeing an increase in their monthly bonuses as well. Panel four: imara is surrounded by her coworkers cheering her on as she do a victory sign with her hand. Coworkers: cheers for the best manager, Imara! Panel five : contrasting her professionalism, Imara now sits bottomless as an alligator gives her cunninglingus. Her roommate BiBi is mortified at the display of erotica in her living room. BiBi:why are you in the living room getting eaten like take out? Why are you so selfish?! Imara: some girls just deserve a little bit of fine wining.
September 1, 2026 at 10:07 PM
sketchbook.escapeclaus.art
Drawings from the last stream, celebrating the Philly Nude Bike ride that passed by yesterday. These are from a separate A5 660 page book made for practicing "direct drawing" in ballpoint pen with the hopes of improving at drawing improvisation. Ballpoint has proven to be easier to show on camera.
A sketchbook spread with ballpoint sketches of nude bike riders and notes from the artist. The masculine rider, Persimmon is a short but muscular lesser demon with a barrel chest and short limbs. He has a beard with no mustache and is celebrating on his seat, waving to an unseen audience as his cape billows in the wind. The feminine rider is HB, an anthropomorphic snail drawn with a notably fatter body than usual, with multiple shots of her on crudely drawn bikes mid pedal stroke. The artist comments on the local nude bike ride and expresses interest in the higher number of black participants than expected, with a drawing of his mascot giving a thumbs up and giving "black guy approval". A sketchbook spread with drawings of feminine anthropomorphic characters and some crude drawings of bicycles. Multiple drawings depict an anthropomorphic bunny character, Rabid, standing with terrible slouched posture with notes on how to adjust how she stands. On the opposite page there are test drawings of the same bunny standing more confidently, holding a steel pipe. On the same page, there are several profile views of bicycles, an attempt to learn the basic parts of a convincing bike. Accompanying the bikes are very rough drawings of a feminine anthropomorphic snail, HB, in a focused rider's position. She is drawn roughly, with only enough detail to show that she is nude.
August 23, 2026 at 7:14 PM
Reposted by Sketchbook of Claus leSable 🔞
brickmanblock.bsky.social
#brickmanart #fanart #sketch #digitalart #anthro
Fanart for the amazing @sketchbook.escapeclaus.art ! Check em out
#fanart of Clause leSable’s persona oc a totem head shape man wearing a dress shirt , pants and ties as drinks coffe . His secretary goblin wearing dress shirt , short sleeve, skirt, and has two Afro puffs and behind them is my oc imara, an Egyptian hairless cat woman with a large buttwearing business casual with glasses the assistant: the servers are down and the admin responsible is right behind. Should I schedule your three o clock to make room sir?
June 5, 2026 at 7:44 PM
sketchbook.escapeclaus.art
From the current A5 sketchbook. Character sketches are drawn from the back of the book and progress towards the center to meet the studies pages in the front. Sketches from these sessions are of OCs of @inkjelly.art and @escapeclaus.art.
#basicbear #hbsnail #nsfwoc
An open sketchbook, showing two pages of blue lined sketches depicting an exaggerated, top heavy muscular character standing around. The subject, Claus leSable, is tall and broad, with long thin legs holding up a barrel chest, thick arms and a Moai-like stone head. The left page explores Claus’s character design, with artist’s notes comparing him to the tall dancing figures in Ernie Barnes painting “The Sugar Shack.” Claus has a stern, hard to read facial expression and is holding a wine goblet tilted close to the chest. Several sketches show Claus from a worm’s eye view, using tricks of positioning to stand in for expressiveness. Some show a glint where an eye should be, shown when something has Claus’s attention. The right page tests drawing Claus’s whole body standing from a front view. The artist has annotated several sketches noting proportion mistakes and failures when capturing the character’s likeness. One drawing on this page stylizes Claus by assembling the character’s face and body out of stark, angular lines. The artist has marked this drawing as “Interesting!” and pursued the idea on the left page, leading to the Sugar Shack influence in Claus’s body shape. A sketchbook spread with drawings of the gallery mascots of @blkmkt.net and @penbee.art, featuring both their SFW and NSFW mascots. From right to left are HB the Snail, a feminine anthropomorphic snail, Claus leSable, a masculine living statue with a Moai style head, Quill, a feminine anthropomorphic Bee and Apparition, a masculine ghost emanating from a frowning skull. These drawings show the mascots dressed for their jobs. HB and Claus are mostly nude (they are not safe for work) save for a helmet on HB to indicate blue collar work and a name tag on Claus to indicate white collar work. HB is shown operating machinery, wearing a high-vis vest and nothing else. An annotation for HB reads "Works at the 'how it's made' factory" and another for Claus reads "Works at 'Embezzlement incorporated'." On the left page, Quill the Bee is dressed in a sharp suit with padded shoulders and a pencil skirt, to imply white collar work. She has four arms and is posed to show them off, with one drawing showing Quill enjoying a cup of coffee. Next to Quill is Apparition, who is wearing a tie and a helmet to perform blue collar tasks. One drawing shows him wiping a window with a sour look on his face. A sketchbook spread with nude drawings of @inkjelly.art's gallery mascot HB the Snail and her boyfriend, Basic Bear. These drawings show HB, an anthropomorphic, feminine snail, casually eating what appears to be a snack bag labeled "rat poison". Basic, a muscular, masculine bear, is voicing his disapproval. A fun fact about snails reads "Snails love to eat rat poison" above a drawing of HB with a much fatter figure winking at the audience. More drawings imagine a BBW style HB, nude and glowing, with large sagging breasts. Along with fat HB are some bulked up Basics, showing a bodybuilder's physique wth extra fat, a double chin and more pronounced belly. Two drawings show each reacting to the other's fatter body with affection and lust, and two others show them at the gym. Basic is using a pec deck machine to do chest flys and HB is doing pushups, with Basic watching her form. They work out together.
June 5, 2026 at 12:54 AM
sketchbook.escapeclaus.art
The strategy used for the current A5 sketchbook in progress to stave off fear of the blank page was to draw studies for improvement in the front of the book while drawing character artwork in the back. These are the first 8 pages of sketches in this book. This strategy fills out the book fast!
A sketchbook spread with anatomy practice drawings dated March 1st, 2026. On the left page, the artist is testing their visual library by drawing a figure standing in profile and front views, as well as drawing the skull in a few rotations. They have annotated the page listing areas they struggle with to direct their studies for the rest of the book. Highest priority issues are a lack of understanding of the arms, torso and legs. The right page is filled with simplified construction sketches of figures from hip to head, with some showing how arms are connected to the trunk when raised above the head and at shoulder level. These drawings are studies from the book Morpho: Simplified Forms by Michel Lauricella. An open sketchbook showing practice drawings of hands on the left page and bodies without limbs on the right page. The left page's hand drawings are done quickly from observation in ballpoint ink. The hands overlap each other with diamond shaped lattices surrounding each hand, which the artist used to practice positioning each drawing with precision, keeping each diamond from touching another. The right page shows construction sketches of bodies without legs, showing how the hip connects to the ribs to form the trunk. The abdomen and obliques are marked with numbers 5 and 6 respectively, with 7 used to mark the spinal erectors where they are visible. The artist observes that the obliques and abs form an ice-cream-sandwich construction from most angles, with the spinal erectors forming the filling when shown from behind. Several figures also sit inside diamond shaped envelope shapes for the same positioning guidance as the hands on the left page. A sketchbook spread with anatomy practice drawings dated March 1st, 2026. On the left page, the artist is testing their visual library by drawing a figure standing in profile and front views, as well as drawing the skull in a few rotations. They have annotated the page listing areas they struggle with to direct their studies for the rest of the book. Highest priority issues are a lack of understanding of the arms, torso and legs. The right page is filled with construction drawings of the head, torso and hips, focused on separating the hard bony landmarks from the soft points of connection. These drawings are studies from the book Morpho: Simplified Forms by Michel Lauricella. A sketchbook spread with rough practice drawings. The left page is filled with overlapping A sketchbook spread, with practice drawings studying from Michel Lauricella's Morpho: Simplified forms book. The artist is studying the torso, constructing it from an egg and bucket shape connected by a flexible membrane. These drawings isolate a simplified pectoral muscle and how it moves with arms stretched, with one drawing merging the pectorals and collarbone like a breastplate in front of the arms, shoulders and neck. Some drawings are centered with a diamond shape for position and placement practice. One drawing isolates the trapezius muscle, describing it like a rope surrounding the neck and connecting the tops of both arm bones. The right page elaborates on the flexing and extending action of the abs, with annotations to remind the artist to practice drawing body posture and forearm muscles. A sketchbook spread with anatomy practice sketches. The left page has a front view and profile view of the artist's NSFW mascot, Claus leSable, a muscular masculine character with a statue style head. That page is another visual library test the artist has attempted to see what they can remember from the previous page's study. Some drawings show Claus headless and hinged at the hip, focusing on the separation between the legs in front and the glutes peeking through the opening made by spreading the legs. The right page contain more Morpho studies, focusing on the construction of the back, highlighting how the arms as a system begin at the scapulae.
May 26, 2026 at 1:07 PM
sketchbook.escapeclaus.art
Selected pages from the A5 book. Part of the work of this book happens when writing the alt text for its pages. A fringe benefit of doing this for the anatomy study portion (not shown here) is being forced to summarize what was learned in each session. Still learning how much detail is appropriate.
An open sketchbook, showing two pages of blue lined sketches depicting an exaggerated, top heavy muscular character standing around. The subject, Claus leSable, is tall and broad, with long thin legs holding up a barrel chest, thick arms and a Moai-like stone head. The left page focuses on Claus’s standing profile, with several sketches exploring what amount of muscle best suits the character’s frame. There are annotations on this page next to test drawings of Claus’s head from the front, rejecting ones that aren’t constructed properly. One standing profile thumbnail displays improper anatomy around the neck as well as an annotation reminding the artist to practice drawing the trapezium muscle when viewed on a figure in profile. The right page is sparsely filled with a few front views of Claus, testing how much larger the top half of the body should be than the legs. An annotation on this page reminds the artist to practice drawing legs from thigh to knee. An open sketchbook, with rough layout drawings of two gendered variants of a normally non-gendered imp, Pok. Both pages are dominated by sketches of the feminine Pok. She is standing erect, legs spread wide, chest thrust high, and maniacally laughing. She is short, about three heads tall in one of the test drawings, with huge pointed ears like a bat’s, fluffy straight hair in single messy bang that normally peeks out of an oversized brimmed fool’s cap. She has the classic “shortstack” figure. Contrasting with the feminine Pok, one drawing of her masculine counterpart show a taller, skinnier and more top heavy imp standing almost four heads tall. He has the same fluffy tuft of hair escaping a helmet with huge horns, with a ram like silhouette at the top of his head. His shoulders, arms and hands are bigger, wider and more defined than his bird chest, small hips, spindly long legs and thin neck. He wears a body suit with concentric circle motifs on the chest and shoulders, ending with a rolled turtleneck collar at the top and knee high steel-toed work boots at the bottom. He has a long tail that ends in a US style electrical plug. He is standing in a defiant and somewhat aggressive pose, as if provoking an attacker to approach. Surrounding this one successful drawing are many abandoned, partially erased drawings of the same masculine Pok standing in a hunched over, shifty eyed pose looking at the viewer from behind him. Annotations mark drawings to pursue or abandon, with one hasty note showcasing opposing directions to orient the pointy features of both Pok variants. Fem Pok has ears that point up and hair that points down, where Masc Pok’s does the opposite. Peppered throughout the left page are headshots of the default, non-gendered Pok, showing an imp wearing a mushroom shaped cap, and in one case a similar cap flattened in a military beret shape. A spread of two pages of gift sketches. On the left page, studiotrue.bsky.com's characters, a fan Reploid Pico and an anthropomorphic mink whose name wasn't provided. Pico is a feminine gynoid with a Megaman X style body plan, and she is hinged at the hip in a flirty pose. She is drawn to make it clear she is a black woman. The mink character has a Sonic the Hedgehog style facial construction, with a rubenesque figure. She has a ponytail as wide as her head at shoulder length and a large, fluffy bang as well as an even larger fluffy tail, about the length of her body. She is flashing a toothy grin at an unseen subject to her right, briefly lowering her smartphone to look. On the right page, multiple rejected sketches of ghostgribht.bsky.social's Markus Mallard, a muscular anthropomorphic duck. The page is filled with unsuccessful sketches of Markus’s head and torso. They should evoke the huge frame of Street Fighter 3’s Alex Winger combined with the simplified long head and neck of a duck combined in a rectangular shape with a beak. The figures instead lack proper structure, making Markus look too long or too thin. A sketchbook spread of nude character sketches, mostly focused on one half of a couple, with one appearance of her boyfriend on the left page. These two pages focus on HB, a feminine, anthropomorphic snail struggling to wake up in the morning with some additional practice sketches of her as seen from a profile view. HB is nude save for a carelessly open robe in some sketches, and she is hunched over, attempting to right herself with a hand on her hip and a mug of coffee barely held steady in the other. In one drawing, HB’s boyfriend, Basic, a masculine anthropomorphic bear, is leaning against something unseen and striking a much more alert, but relaxed posture while steeping his own mug of tea. Basic is shooting HB a knowing glance and smiling wide while HB looks worse for wear and tries to ignore him. In these drawings, HB’s eye stalks behave more like antennae, and are used for emoting, since her design puts her eyes in a humanoid position in the front of her face. She is decidedly not glamorous looking in these drawings, which explore the eroticism of a comfortable domestic relationship where the couple is comfortable sharing a morning in limited dress. Focus is placed on HB’s breasts and belly as she hunches over in unflattering angles. Warmup sketches on the right page attempt to construct HB, practicing her head from several bird’s eye view angles. She has a spot on her head in the shape of the silhouette of a slug as seen from above, which form a mock hairline that merges into the stalks at the top of her head, giving the impression of a Mohawk. There are multiple drawings of her head comically exaggerated to make her face look small and her skull look huge. All drawings of HB on these pages also focus on constructing her mouth, which has a shape that evokes a mixture of a lizard snout or a duck bill that merges into her cheeks and chin.
May 26, 2026 at 1:51 AM
sketchbook.escapeclaus.art
Pages from the latest sketchbook, a thick A5 book with 660 pages. The strategy for this book has been to do drawing study in the front of the book and character art in the back to help overcome blank page anxiety.
#sketch #art #nsfwoc #basicbear #hbsnail #furry
#persimmon #prickle
An open sketchbook showing two pages of nude character sketches and assorted notes about them. The left page is full of erotic practice sketches of HB, a feminine, anthropmorphic snail. Sketches include different views of HB laying prone while craning her head up to look at someone in front of her, with focus on her back and butt, as well as a few of her laying supine, hanging off of a bed, with focus on her hanging breasts. One rough sketch shows HB supine, licking the base of her boyfriend's testicles while he is in a prone position on top of her. The right page comprises practice drawings of Persimmon the Lesser, a horned demon with a chubby build. The drawings focus on Persimmon's defining his proportions and attempting to pose him while keeping those proportions intact. An open sketchbook showing two pages of nude character sketches and assorted notes about them. The left page shows front and profile views of Persimmon the Lesser, a horned demon with a dad bod. The right page is filled with sketches of HB the Snail, an anthropomorphic character, with focus directed at the soles of her feet, her buttocks and her breasts. An open sketchbook showing two pages of nude character sketches. The left page focuses on Prickle the Cactusmaid, a tall, thin, feminine character with a circular cactus for a head. The page contains layout drawings of her torso with diagrams describing the form of her abs and shoulders, shown as if her arms were translucent. The right page contains drawings of Persimmon the Lesser, a horned demon with a dad bod, with many drawings of him from the front to see what proportions work best for the character. An open sketchbook showing two pages of exploratory character drawings. The left page comprises many facial expression tests of a feminine anthropomorphic snail, HB the snail, with some bust drawings and thumbnails for illustration ideas. The right page shows similar expression and acting shots of HB's boyfriend, Basic the Bear, an anthropmorphic bear. One faint sketch shows Basic in a prone position with his hips raised suggestively and his eyes focused behind him.
April 7, 2026 at 11:17 AM
sketchbook.escapeclaus.art
Keeping several sizes of sketchbook helps with concentration while traveling. The usual collection consists of two pocket sketchbooks, two A5s and an A4 book, but recently added B5s in the rotation. SFW & NSFW are separated, hence the number of books.
#sketch #clauslesable #basicbear #hbsnail
Photo of an open A5 sketchbook spread containing, from left to right, bust drawings of a masculine, living statue, Claus leSable, viewed from several angles and design sketches of an anthropomorphic couple, HB the Snail and Basic the Bear. The statue character has a face like a Moai attached to a large muscular frame and the left page is filled with test drawings with annotations. The page with the couple mostly focuses on the larger Basic the Bear, with his girlfriend HB shown to establish his tall stature and wide body. This page showcases Basic from angles the artist was struggling with, including worm's eye view head shots and several attempts at a profile view. Photo of an open pocket sketchbook filled with studies of Basic the Bear's face and skull. Basic's head and neck form a simple sausage shape with interruptions from his snout, ears and angular sideburn tufts depending on how he's positioned in a scene, and the artist has attempted to understand what underlying structure would consistently yield this result. Photo of a pocket sketchbook open to a spread of sketches of the artist's NSFW mascot, Claus leSable. leSable is a living statue with a Moai style head and is depicted nude but featureless on these pages. These page focus on tilting the character's neck and minor reclined actions. Several sketches of a nude anthropomorphic bear named Basic, with half a page of annotated busts in blue and black pencil. The sketches constitute a character study, with most attempts rejected in scribbled annotations.
July 11, 2025 at 7:56 PM
sketchbook.escapeclaus.art
Have been away from digital art for a while, to focus on becoming comfortable thinking visually again. Sketch pages tend to be drawn with H4-6 pencils or whatever is handy, so they are difficult to properly photograph.
[ #nsfwoc #sketch #clauslesable #prickle #persimmon ]
Photograph of an artist's sketchbook held open to its first spread with a transparent blue clip. Both pages are filled with light sketches of this artist's mascot, a living, muscular statue, Claus leSable. The left page focuses on the character's face from various angles, with annotations to note which sketches capture the character's likeness best. The right page focuses on the character's stature, with several inset ink drawings of the character's face. Claus's face resembles a Moai with a neutral expression and eyes always under a cast shadow. Photograph of the artist's sketchbook, open to a page filled with rows of bust drawings. There are two characters depicted; a round-headed anthropomorphic Cactus woman, Prickle, and a chubby faced lesser demon, Persimmon. The two characters are facing the viewer but looking over their right shoulder in most of the sketches. This sketchbook page works to establish the layout of decorations on both characters' heads - Prickle has a roughly spherical head lined on its side planes with three large spikes and a large flower forming a ponytail-like shape at the back. She has a big, round circle for a nose, like a Koala. Persimmon has messy tufts of hair at the top of an otherwise pointy and bald looking head, with a set of horns fused onto a single ring connecting both of his temples. Photograph of an artist's sketchbook focused on one character, Persimmon the lesser demon. He is nude on this page, with one arm at his side and one outstretched at the shoulder, both hands semi-prone like an anatomy model. He has a bell shaped head with features small and centered on his face. His beard and goatee are connected and angular, but are missing a mustache. He is otherwise short, squat and hairy, with a set of horns extending from his temples and merging together at the back to form a ring behind his head, framed by enormous pointed demonic ears. One sketch compares the formation of his horns to the silhouette of a receding hairline. All sketches are annotated with the artist's notes on what needs to be emphasized on this character. Photograph of another page in an artist's sketchbook, mostly focused on constructing a character Prickle's face and body. She is shown nude from a profile and front view, with annotations and instructions on how to attach her cartoonish elliptical head to her body and facial decorations. Prickle has large, half-lidded eyes with a nose of the same length between them and a row of six spikes attached to her head on the side planes. She has a big flower growing out of the top rear of her skull that forms a puffy ponytail shape, and her head is attached with a long, slender neck. There is an inset sketch of a human version of the character with an annotation conceptualizing her as having an aquiline nose.
July 11, 2025 at 7:03 PM