The #EdAtkins exhibition at Tate Britain was incredible. Digital melancholia using video game language and technology; haunting, human, poetic, tangibly of this time.

Well it's a god-given fact/That you can't go back/It's a god-given law/That you're gonna lose your maw/Maybe just another rap/But you're running out of sap/Shrivel up
🎨 #EdAtkins 🏴󠁧󠁢󠁥󠁮󠁧󠁿🇬🇧 🎟️ #TateBritain 💻Review www.theguardian.com/artanddesign... 📝Post-its www.theguardian.com/artanddesign...

"... one of his most affecting works: The Worm, from 2021, in which we hear a real-life conversation between the artist and his mother."
"The piece raises all sorts of questions about emotional inheritance, human connection and what constitutes a life."

#EdAtkins

I'm discovering #MarkLeckey at the moment, courtesy of an article @monopolmagazin.bsky.social shared some time ago. That wanting to be dumbed by art, to feel it, not think about it ... I fully identify with that and can't be thankful enough to find much of his work on YT. #artsky #videoart #EdAtkins

New blog UK water management by @edatkins based on EA placement. Complexity leading to uncertainty http://cabot-institute.blogspot.co.uk/2016/02/a-difficult-absence-of-water-demand.html @cabotinstitute

A Just Energy Transition: Getting Decarbonisation Right in a Time of Crisis by #EdAtkins @brisunipress.bsky.social argues for prioritising social over technical considerations in #Decarbonisation policies for a #Sustainable and #JustTransition.

#Review by Sibo Chen wp.me/p2MwSQ-h6Z