So, face value: fun movie. Great liminal horror, where the setting turns the tension inward on the characters. Very well made.
So, face value: fun movie. Great liminal horror, where the setting turns the tension inward on the characters. Very well made.
But maybe I'm the crazy one.
But maybe I'm the crazy one.
feels like k-dramas without the subtextual racism and white supremacy
feels like k-dramas without the subtextual racism and white supremacy
Honestly a little tired of the subtextual inference that I'm either inherantly incapable of fidelity or less masculine for being... me.
Honestly a little tired of the subtextual inference that I'm either inherantly incapable of fidelity or less masculine for being... me.
compared to Breaking Bad which left everything largely subtextual and up to the audience to figure out
compared to Breaking Bad which left everything largely subtextual and up to the audience to figure out
The native american spoke in ugs and ums.
The native american spoke in ugs and ums.
Perhaps Huxley and Kafka are having dinner in the afterlife, I dunno.
Price is going up again a little bit in the last year but it’s a very different market now — and here are (some) of the corollary social effects.
Just got off train to bunch of lads outside station playing techno and snorting lines. But seen similar in rural ireland
And that’s before get to the ‘patriots’
Perhaps Huxley and Kafka are having dinner in the afterlife, I dunno.
Goodbye Lara's lesbian love story is not subtextual. Subtext is meaning drawn from attributes of a story beyond the literal moment to moment events that make up the plot.
The magic that happens on screen is not a metaphor. It is the literal material (1/6)
Goodbye Lara's lesbian love story is not subtextual. Subtext is meaning drawn from attributes of a story beyond the literal moment to moment events that make up the plot.
The magic that happens on screen is not a metaphor. It is the literal material (1/6)