A concise announcement highlighting Berthold Imago's commanding 1980s sports poster energy.

Contributed by Naomi Bilder _**Source: bilder-studio.com **License: All Rights Reserved. _ Bilder Studio is my AI creative studio, based in Manchester. I wanted the typography of the portfolio website to carry the same confidence as the imagery without competing with it. **Moret** Extrabold is used for the wordmark, the headlines and the prices. **Halyard Display** keeps the body copy, smaller headings, navigation and buttons calm and easy to read. All the work shown on the site is self-initiated concept work. _**Source: bilder-studio.com **License: All Rights Reserved. _ _**Source: bilder-studio.com **License: All Rights Reserved. _ _**Source: bilder-studio.com **License: All Rights Reserved. _ _**Source: bilder-studio.com **License: All Rights Reserved. _ _**Source: bilder-studio.com **License: All Rights Reserved. _ This post was originally published at Fonts In Use * * *

Contributed by Sascha van den Bloock _**Source: aizeitgeist.tv **Photo: Sascha van den Bloock. Büro Bloock. License: All Rights Reserved. _ The wall: the current quote types itself in Schibsted Grotesk ExtraBold, earlier quotes fill the background in Bold AI Zeitgeist is a wall of real quotes about artificial intelligence, one line at a time. The site uses a single typeface, @**typeentity:245321** @, as a variable font in several weights: the current quote fills the screen in ExtraBold and types itself in, earlier quotes form a dense field behind it in Bold, and the archive, speaker, topic and year pages set every quote as a headline. Interface, captions and sources use the same family at text sizes. The type carries over to light mode, the daily email and a TRMNL e-ink display. The website was designed and built by Büro Bloock, Cologne. _**Source: aizeitgeist.tv **Photo: Sascha van den Bloock. Büro Bloock. License: All Rights Reserved. _ A quote opened: speaker in green, then context, source and date at text sizes _**Source: aizeitgeist.tv **Photo: Sascha van den Bloock. Büro Bloock. License: All Rights Reserved. _ Menu: the main sections in ExtraBold with their counts in small figures _**Source: aizeitgeist.tv **Photo: Sascha van den Bloock. Büro Bloock. License: All Rights Reserved. _ Mobile: wall, an opened quote and the menu _**Source: aizeitgeist.tv **Photo: Sascha van den Bloock. Büro Bloock. License: All Rights Reserved. _ Speaker page with portrait, topic cards and links _**Source: aizeitgeist.tv **Photo: Sascha van den Bloock. Büro Bloock. License: All Rights Reserved. _ Daily by mail: the same family in the email with the new quotes of the day This post was originally published at Fonts In Use * * *

Raimundo font family by Latinotype: eight weights, 541 glyphs, alternates for a, e, g, and a clear focus on food packaging.

【アルバイト緩募】再生プラや廃棄物などから3Dプリント材料を作ってアップサイクルことに興味のある方。材料リサイクル検証から大型3Dプリントでのトライ造形をお願いしたい。慣れてきたら空いてる時間は社内設備で自分の作りたいものをチャレンジしてもらってOK！

Photo(s) by Bart Solenthaler on Flickr. _**Source: www.flickr.com **Uploaded to Flickr by Bart Solenthaler and tagged with “airportblack”. License: All Rights Reserved. _ “The plop plop fizz fizz is fast fast” Two magazine ads by Miles Laboratories for Alka-Seltzer, an effervescent antacid and pain reliever first introduced in 1931. In 1979, shortly after these ads ran, Miles was acquired by Bayer after 95 years of operating as an independent firm. The extrabold sans-serif caps are from **Airport Black** , a weight extension that’s unique to Baltotype’s Futura copy. Photo-Lettering carried a phototype adaptation by 1960. _**Source: www.flickr.com **Uploaded to Flickr by Bart Solenthaler and tagged with “airportblack”. License: All Rights Reserved. _ “’Tis the season to plop plop fizz fizz fast fast” This post was originally published at Fonts In Use * * *

Contributed by Gareth Hague _**Source: mylla.se **License: All Rights Reserved. _ Way Out West 2026 uses Alias Ano across social media, website and on-site signage. The secondary typeface is **Lateral**. It’s used in several styles, including in modified extrabold italic caps for this year’s logotype. _**Source: www.facebook.com **License: All Rights Reserved. _ _**Source: www.wayoutwest.se **License: All Rights Reserved. _ _**Source: www.gp.se **License: All Rights Reserved. _ _**Source: diffus.de **License: All Rights Reserved. _ _**Source: www.facebook.com **License: All Rights Reserved. _ _**Source: x.com **License: All Rights Reserved. _ _**Source: www.facebook.com **License: All Rights Reserved. _ _**Source: artboxportal.com **License: All Rights Reserved. _ _**Source: instagram.com **License: All Rights Reserved. _ _**Source: www.facebook.com **License: All Rights Reserved. _ _**Source: www.facebook.com **License: All Rights Reserved. _ This post was originally published at Fonts In Use * * *

3Dプリンターを駆使して制作された作品がトヨタ車体本社で展示スタート！カーデザイナー山本氏の独自の視点と進化した材質への挑戦を紹介します。

The artistic installation 'A Room Where Design is Born' by Takumi Yamamoto, created with 3D printing technology, debuts at Toyota's head office.

忘れるのでメモ！ 経緯もメモしてるので、やり方だけ知りたいのなら、目次から飛んでね。 （未来の自分へ） 参考にされる方は自己責任でお願いします。 LINE Seedってフォントが綺麗と教えてもらったから使いたかったんだよね。 一枚目、OBS上で中央の「Loading…」がLINE Seed Sans ExtraBoldで表示されている。（成功） ２枚目、ブラウザで見た様子。 うわああああ...