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BBC JOURNALISTS. Fountain Pen Newspaper by Author Winter Breshna. #RemoteWork #Celtic #Author #WinterBreshna #Delft #Belgium&Asian LOWCOUNTRIES.

BBC JOURNALISTS. Fountain Pen Newspaper by Author Winter Breshna. #RemoteWork #Celtic #Author #WinterBreshna #Delft #Belgium&Asian LOWCOUNTRIES.

Read writing from Fountain Pen Newspaper by Author Winter Breshna. on Medium. BBC JOURNALISTS Celtic Author Winter Breshna Belgium Asian Netherlands LOWCOUNTRIES Dutch TRUCKEE, CA SINGLE. Newsletter w...

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A blog on the Knights Templar and Cistercian Orders and related medieval history in general

A blog on the Knights Templar and Cistercian Orders and related medieval history in general

Leo Belgicus has to be one of the most famous, as well as pictorially pleasing, of all maps. What makes this map so interesting is its direct relationship with the events taking place at the time it was made, and how these events are reflected in the map. _Novissima, et accuratissima Leonis Belgici, seu Septemdecim Regionum Descriptio,_ from _Atlas minor sive Geographia, compendiosa in qua orbis terrarium…_ c.1650. Map Res 34 The first version of the map was printed in 1583, these later editions were published by the famous family of Dutch cartographers, the Visschers, with the first by Claes Janszoon around 1611. This version is by his son Nicolaus, in an atlas whose title translates rather wonderfully as ‘Atlas minor, or Geography, a compendious account of the world’. That the group of nations know as the Low Countries can be mapped in the shape of a lion was a convenient way to show a group of 17 provinces when over half of those provinces had a lion on their shields, as can be seen along the top of the map. The lion though can also be seen to symbolize war, and power, and it was to feature regularly on maps during the 80 Years War, a conflict between the Northern Provinces and the ruling power in the area, the Spanish Empire. We can tell this map has been printed during a short truce in the fighting between 1609 and 1621 because the sword held by the lion is sheathed, and held downwards. Maps made either side of the truce show the sword held high, ready for action. The map, symbolic in itself with the form of a lion representing the outline of the countries as well as the individual provinces, is full of smaller symbolic references. Just above the base of the tail two women, representing the northern and southern half of the Netherlands, sit on an old man, ‘d’Oude twist,’ who represents the conflict that has hopefully now passed. Around the lion are pastoral scenes, showing the countryside at peace, with harvests gathered and villages and towns under repair or expansion (‘t’vergrooten der steden’ means the ‘enlargement of the cities’). In one of the stranger parts of the map a putto, a winged figure often found around cartouches on maps, has rather ungainly fallen out of heaven and has dropped a number of concepts in the shape of various associated objects, so the candle sticks represent wealth (‘rijckdom’), while the other objects symbolize art and science (hour glass, cross-staff, lead weight for reading depths at sea and so on), all for the benefit of a nation at peace. The atlas, in 2 volumes, is a beautiful example of Dutch cartography during the golden age of the seventeenth century. The atlases are full of regional and country maps as well as maps of the heavens; it even has a page at the end full of different types of fortifications and instruments of war. Many pages have elaborate cartouches, the title page gives a taste of the glories within. Here Geography, one of the muses, draws the globe while Poseidon stands by. Cybele, with her crown made of city walls, measures the earth while a lion stands by. There’s a second Leo, in the atlas. Despite the raised sword which would suggest war this is a celebratory lion. The map was made in 1648, a year of treaties and negotiation finishing with the Dutch gaining independence from Spain. _Comitatus Hollandiæ denuo forma Leonis_ Map Res. 34

Early Modern Low Countries